Nora Naranjo Morse

Gathering Ground
February 23-August 25, 2019

Presenting sculpture from distinct bodies of work, this exhibition considers the persistent themes of Morse’s artistic exploration of ever-expanding media, from Native clay to street litter. As a cultural critic and poet, Morse links timely urgent issues to our aspirations for the future.


Make sure to check out Nora Naranjo Morse’s off-site billboard project, Remembering. Billboards will be located at 333 E Fillmore from Oct. 1-Dec. 23 and 220 W Cimarron from Oct. 29-Dec. 23. Learn More

This program is part of the For Freedoms 50 State Initiative developed to spur greater participation in civic life by generating discussion of values, place and patriotism through the arts. Learn More

Throughout her career, Nora Naranjo Morse’s artworks have addressed the commodification of indigenous culture. In her new project, Remembering, she appropriates the billboards in the Southwest to disrupt commercial advertising. Her billboards promote the protection of the sacredness of life. This exhibition will present her billboard project and recent sculpture.

Nora Naranjo Morse selected this site to engage the public’s awareness of Tava mountain (aka Pikes Peak), a sacred space for the Ute people, and the industrialized space of the Martin Drake Power Station on I-25. The power station exists on traditional tribal lands of the Ute people — a fact so many travelers along I-25 are unaware of. The message of the billboard is accompanied by an image Native people will recognize as cultural in nature. This message is for them as well. Remembering acknowledges and reaffirms the values crucial to our survival as indigenous people — Land. Culture. Community. Family

Artists Statement

My project entitled, Remembering is inspired by the billboards I saw as a child growing up in the Southwest where billboards were a familiar site. The large advertisements were often strung together — sometimes only 20 feet apart — and were stretched along the interstate for miles. From a 10-cent cup of coffee to Handmade Indian crafts, the images and colorful lettering on the billboards were big and bright enough to see from a distance. The messaging of selling gas and coffee alongside culture both intrigued and confused me. I never understood what a 10 foot high, illustrated caricature of an Indian woman making pottery and, kinda resembling my Aunt Carma, had in common with the price of gas. I was unable to make sense of how someone, not from the same culture, saw and commodified the culture I was from. This conflicted with my true identity, an identity that came and still comes from my community, culture, and the land we walk. As an adult, I can clearly see the same kind of advertising on certain sections of I-40. These new billboards reminded of the insidious marginalization of culture that still comes from advertising — then and now. So, Remembering is a response to the billboards that cluttered my youth with confusion.

Remembering is not advertising in the “normal” sense of the word. However, it is promoting a non-tangible concept. It’s the concept of protecting the sacred-ness of life no matter who we are, where we’re from or, where we’re going.


Andrew W. Mellon Foundation

The John E. and Margaret L. Lane Foundation


The Anschutz Foundation

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